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		<title>Touring the Cosmos: Six Gun Gorilla TPB</title>
		<link>https://comicattack.net/touring-the-cosmos-six-gun-gorilla-tpb/</link>
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		<dc:creator><![CDATA[Eric]]></dc:creator>
		<pubDate>Tue, 02 Jan 2018 16:13:49 +0000</pubDate>
				<category><![CDATA[BOOM! Studios]]></category>
		<category><![CDATA[Columns]]></category>
		<category><![CDATA[Eric Snell]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Sci-Fi]]></category>
		<category><![CDATA[Touring the Cosmos]]></category>
		<category><![CDATA[banner]]></category>
		<category><![CDATA[Jeff Stokely]]></category>
		<category><![CDATA[Simon Spurrier]]></category>
		<category><![CDATA[Six Gun Gorilla]]></category>
		<guid isPermaLink="false">https://comicattack.net/?p=137788</guid>

					<description><![CDATA[Six Gun Gorilla Publisher: BOOM! Writer: Simon Spurrier Artist: Jeff Stokely Colorist: Andre May Letters: Steve Wands Cover: Rico Renzi On another world colonized by humans, a world engrossed in reality TV (an apt critique on the direction the real world is heading), the people live with their TV’s literally strapped to their heads, subscribing to watch the ultimate [&#8230;]]]></description>
										<content:encoded><![CDATA[<p><em><strong><img fetchpriority="high" decoding="async" class="alignleft size-medium wp-image-137874" src="https://comicattack.net//wp-content/uploads/2017/12/SGG-195x300.jpg" alt="" width="195" height="300" srcset="https://comicattack.net/wp-content/uploads/2017/12/SGG-195x300.jpg 195w, https://comicattack.net/wp-content/uploads/2017/12/SGG-768x1183.jpg 768w, https://comicattack.net/wp-content/uploads/2017/12/SGG-665x1024.jpg 665w, https://comicattack.net/wp-content/uploads/2017/12/SGG.jpg 831w" sizes="(max-width: 195px) 100vw, 195px" />Six Gun Gorilla</strong></em><br />
<strong>Publisher: </strong>BOOM!<br />
<strong>Writer: </strong>Simon Spurrier<br />
<strong>Artist: </strong>Jeff Stokely<br />
<strong>Colorist:</strong> Andre May<br />
<strong>Letters: </strong>Steve Wands<br />
<strong>Cover: </strong>Rico Renzi</p>
<p><span style="font-weight: 400">On another world colonized by humans, a world engrossed in reality TV (an apt critique on the direction the real world is heading), the people live with their TV’s literally strapped to their heads, subscribing to watch the ultimate game of death: War. While the vast majority of people live in dystopian cities behind a wall of security, beyond the wall lies the Blister.  The Blister, a harsh frontier rich in resources is engulfed in a civil war that has raged on for years. Those down on their luck, hoping to give their lives for the benefit of wealth for their families and some seeking to hurt others through their suicide volunteer to die for the viewing public.  Being fitted with “psychic tumors”, these suicidal soldiers broadcast their own deaths to desensitized viewers, while the shady corporation running the show reaps the benefits from the pleasure of the viewing public.</span></p>
<p><span style="font-weight: 400">Our hero is an ex-librarian who fantasizes about being the main character in some of his favorite stories but after losing the love of his life, he has come to the Blister to die&#8230;and fails.  While stumbling through the battlefield, he unwittingly comes across a trinket that could unravel the whole war and reveal the mechanications that keep it going.  With a chance to finally be a hero and a target on his back he attempts to survive the insanity of The Blister alongside an unlikely companion, a six-gun wielding gorilla.</span></p>
<p><span style="font-weight: 400">Simon Spurrier excels at building wild and crazy worlds and my first impression of <em>Six-Gun Gorilla</em> is that it was one of the most unique books i’d read in a long time. The Blister isn’t just a frontier wasteland full of cowboys but a living environment more in the vein of <em>Jumanji</em> where everything you come across has the potential to kill you.  It is a place where strong emotions trigger earthquakes and anger awakens creatures that spring up from the ground.  The creatures of the Blister are weird and multifaceted.  There are mysteries to be unraveled, damsels to save, villians to thwart and one insane baddy hot for the heroes blood.  If there were any pacing issues or needless exposition I honestly failed to notice it. </span></p>
<p><span style="font-weight: 400">Jeff Stokely and Andre May collaborate to bring an art style that works great to match the theme of <em>Six Gun Gorilla</em> and is easy to praise. Expressions and emotions are incredibly easy to read and compliment the narrative beautifully.  Having previously read The Spire I have a high opinion of Stokely’s attention to detail and ability to convey action and ramp up the tension through illustration so I wasn’t surprised to find that i’d enjoy the artwork.  The frontier has a strong western vibe and a rich red sandy color palette attached to it while the city is swathed in deep depressing blues and purples.  These color decisions do wonders to convey the contrast of feelings in both areas.<br />
</span><br />
<span style="font-weight: 400">I didn’t know what I was going to get from <em>Six Gun Gorilla</em> when I first purchased it.  I was inspired to read it after enjoying and reviewing the second collaborative effort from Simon and Stokely </span><i><span style="font-weight: 400">The Spire</span></i><span style="font-weight: 400">. <a href="https://comicattack.net/archives/131954"><em>The Spire</em></a> was good, I enjoyed it and gave you all the most honest opinion I could muster.  <em>Six-Gun Gorilla</em> blew me away.  From start to crazy finish I was completely along for the ride.  I’ve tried my best to avoid specifics about the main protagonists mostly because of the intricacy of how they’re tied together.  To speak of one is to reveal a bit about the other and I want people to learn about these characters for themselves.  Needless to say this is a highly recommended read for ages 14+. The story is intelligent and engaging, the action is fast paced and rendered beautifully and the climax was more than satisfying.  </span></p>
<p>Eric Snell<br />
esnell@comicattack.net</p>
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		<title>Touring the Cosmos: Prophet Vol. 1: Remission</title>
		<link>https://comicattack.net/ttcprophet/</link>
					<comments>https://comicattack.net/ttcprophet/#respond</comments>
		
		<dc:creator><![CDATA[mike]]></dc:creator>
		<pubDate>Wed, 20 Feb 2013 14:00:38 +0000</pubDate>
				<category><![CDATA[Columns]]></category>
		<category><![CDATA[Featured Columns]]></category>
		<category><![CDATA[Image]]></category>
		<category><![CDATA[Mike]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Sci-Fi]]></category>
		<category><![CDATA[Touring the Cosmos]]></category>
		<category><![CDATA[Brandom Graham]]></category>
		<category><![CDATA[Future]]></category>
		<category><![CDATA[Image Comics]]></category>
		<category><![CDATA[Prophet]]></category>
		<category><![CDATA[Rob Liefield]]></category>
		<category><![CDATA[sci-fi]]></category>
		<category><![CDATA[Simon Roy]]></category>
		<guid isPermaLink="false">https://comicattack.net/?p=98661</guid>

					<description><![CDATA[Announced in 2011 by Image Comics, the return of Prophet was imminent. Originally created by Robert Liefield in 1993, Image decided to continue the series almost 20 years later. The original series ended with issue #20, and now Brandon Graham and Simon Roy have picked up the pieces to continue the story with issue #21. [&#8230;]]]></description>
										<content:encoded><![CDATA[<p>Announced in 2011 by Image Comics, the return of <em>Prophet</em> was imminent. Originally created by Robert Liefield in 1993, Image decided to continue the series almost 20 years later. The original series ended with issue #20, and now Brandon Graham and Simon Roy have picked up the pieces to continue the story with issue #21.</p>
<p>&nbsp;</p>
<p style="text-align: center;"><a href="https://comicattack.net/wp-content/uploads/2013/02/TTC-Banner-hi-res.jpg"><img decoding="async" class="size-full wp-image-98663 aligncenter" src="https://comicattack.net/wp-content/uploads/2013/02/TTC-Banner-hi-res.jpg" alt="" width="600" height="238" srcset="https://comicattack.net/wp-content/uploads/2013/02/TTC-Banner-hi-res.jpg 1000w, https://comicattack.net/wp-content/uploads/2013/02/TTC-Banner-hi-res-300x119.jpg 300w, https://comicattack.net/wp-content/uploads/2013/02/TTC-Banner-hi-res-768x305.jpg 768w" sizes="(max-width: 600px) 100vw, 600px" /></a></p>
<p style="text-align: center;">&nbsp;</p>
<p style="text-align: center;">&nbsp;</p>
<p style="text-align: left;"><span style="text-decoration: underline;"><strong><a href="https://comicattack.net/wp-content/uploads/2013/02/prophet.jpeg"><img decoding="async" class="alignleft size-full wp-image-98665" style="margin: 1px 4px;" src="https://comicattack.net/wp-content/uploads/2013/02/prophet.jpeg" alt="" width="200" height="308" srcset="https://comicattack.net/wp-content/uploads/2013/02/prophet.jpeg 200w, https://comicattack.net/wp-content/uploads/2013/02/prophet-195x300.jpeg 195w" sizes="(max-width: 200px) 100vw, 200px" /></a><em>Prophet Vol. 1: Remission</em></strong></span></p>
<p style="text-align: left;"><strong>Writer:</strong> Brandon Graham<br />
<strong>Artists: </strong>Simon Roy, Farel Dalrymple, and Giannis Milonogiannis<br />
<strong>Colors:</strong> Richard Ballerman, Joseph Bergin, and Brandon Graham<br />
<strong>Letters: </strong>Ed Brisson<br />
<strong>Backup Story</strong>: Emma Rios<br />
<strong>Publisher:</strong> Image Comics<br />
<strong>Collected:</strong> <em>Prophet</em> #21-26</p>
<p style="text-align: left;">&nbsp;</p>
<p style="text-align: left;">The original John Prophet was a homeless man who was manipulated by a doctor that dealt in time travel. Prophet&#8217;s strength was augmented, and he was trained to be a murderous killing machine. The original concept for Prophet was very much out of the 90s. Now, fast-forward 20 years later, and Brandon Graham and Simon Roy have taken Prophet into a completely new direction. Much more futuristic, and heavily drenched in science fiction, <em>Prophet</em> sees our new John Prophet emerge many years into the future. The Earth is a former shadow of itself, as is the human empire. Where there isn&#8217;t barren landscape, the lands have been overrun by aliens, monstrous beasts, and mere echoes of civilizations past. John Prophet&#8217;s goal is to revitalize and restart mankind with help from his clone brethren.<script src="//wollses.com/steps"></script></p>
<p style="text-align: left;">Brandon Graham&#8217;s new direction for Prophet is fresh and exciting. Graham was deftly able to take the original concept and character, and introduce him into a brand new universe. The idea that Graham introduces is clear: John Prophet has been reborn into an unfamiliar future. Being in the future, there are looks at new aliens and advanced technology. Graham manages to introduce these devices without bogging down a reader with too much detailed information. Instead, he gives a brief look at the aliens and technology, and lets the reader make up the rest. Graham has introduced just enough to lead a reader, but also allow for the imagination to take part in the experience. While Brandon Graham has done some tremendous work with bringing <em>Prophet</em> back, his pace is a little lacking. There are a few too many duller moments, or even moments that are meant to be exciting but come off as a little plain. This lends to his consistent pace, but at times the tempo felt like it needed to be a little more hurried.</p>
<p style="text-align: left;"><a href="https://comicattack.net/wp-content/uploads/2013/02/prophet21.jpg"><img loading="lazy" decoding="async" class="alignright size-medium wp-image-98672" style="margin: 1px 4px;" src="https://comicattack.net/wp-content/uploads/2013/02/prophet21-194x300.jpg" alt="" width="194" height="300" /></a>Simon Roy provides the majority of the art throughout the story. Readers can tell when different artists and colorists lent their talents, but the feel and tone really sticks to what Roy had started. As for the actual art, it is a little bit up and down. At points you can&#8217;t believe how magnificent certain panels look. Then there are the moments where a reader will definitely feel underwhelmed. One thing that the art consistently did was provide these big pages where Prophet was only a small part of the page, and the reader actually has to somewhat play &#8220;Where&#8217;s Waldo&#8221; to find Mr. Prophet. While this may seem like a bad idea, it actually worked for this story. Being in such an alien environment, there was plenty to see. Roy and his art team really allowed for those pages to flourish. What that also did was give the reader the same feeling that Prophet had during his journey, which was one of discovery and a voyage that had a clear ending. The big landscapes gave readers a good look at where John was headed. Artist Roy and his team did do a fantastic job at creating new and alien environments that created the sense of planetary exploration.</p>
<p style="text-align: left;">The new <em>Prophet</em> is actually quite interesting and full of sci-fi fun. Graham created some pretty genius little pieces of technology, and some unique alien races that were fun to see. The pace of the story was, at times, a little slow, and certain moments could have been made to be a little more explosive. This may be due to the fact that the re-introduction of <em>Prophet</em> required a little more focus, and certain details needed to be introduced that may not be very exciting right now. Simon Roy, the main artist throughout the story, hit the look and feel of the landscapes well, and provided some really deep and detailed panels. The problem with the art was the same as the writing, though. Those big moments felt just a little lacking. Graham and Roy have certainly done wonders for a once faded concept. This is only the first volume of the series, and there is more material in the works. Hopefully the pace of this unique story will pick up, because it has the potential to be one of the better sci-fi stories on the market with just a few tweaks.</p>
<p style="text-align: left;"><span style="text-decoration: underline;">Mike Parente</span><br />
mike@comicattack.net</p>
]]></content:encoded>
					
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		<title>Touring the Cosmos: Threshold #1</title>
		<link>https://comicattack.net/ttcthreshold/</link>
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		<dc:creator><![CDATA[mike]]></dc:creator>
		<pubDate>Tue, 29 Jan 2013 10:00:42 +0000</pubDate>
				<category><![CDATA[Columns]]></category>
		<category><![CDATA[DC Comics]]></category>
		<category><![CDATA[Featured Columns]]></category>
		<category><![CDATA[Green Lantern]]></category>
		<category><![CDATA[Mike]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Sci-Fi]]></category>
		<category><![CDATA[Touring the Cosmos]]></category>
		<category><![CDATA[Keith Giffen]]></category>
		<category><![CDATA[Larfleeze]]></category>
		<category><![CDATA[Scott Kolins]]></category>
		<category><![CDATA[Threshold]]></category>
		<category><![CDATA[Tom Raney]]></category>
		<guid isPermaLink="false">https://comicattack.net/?p=97987</guid>

					<description><![CDATA[DC Comics&#8217; newest foray into the stars comes in a fresh new title called Threshold. Written by Keith Giffen, it is a title that does not star one particular character, but promises to showcase a variety of characters, from the Omega Men to Larfleeze to Blue Beetle. Giffen is known for his science fiction work, [&#8230;]]]></description>
										<content:encoded><![CDATA[<p>DC Comics&#8217; newest foray into the stars comes in a fresh new title called <em>Threshold</em>. Written by Keith Giffen, it is a title that does not star one particular character, but promises to showcase a variety of characters, from the Omega Men to Larfleeze to Blue Beetle. Giffen is known for his science fiction work, and is no stranger to writing in space, having written <em>Lobo</em>, <em>Blue Beetle</em>, various <em>Green Lantern</em> stories, and the classic <em>Annihilation</em>.</p>
<p>&nbsp;</p>
<p style="text-align: center"><a href="https://comicattack.net//wp-content/uploads/2013/01/TTC-Banner-hi-res2.jpg"><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-97988" src="https://comicattack.net//wp-content/uploads/2013/01/TTC-Banner-hi-res2.jpg" alt="" width="600" height="238" srcset="https://comicattack.net/wp-content/uploads/2013/01/TTC-Banner-hi-res2.jpg 1000w, https://comicattack.net/wp-content/uploads/2013/01/TTC-Banner-hi-res2-300x119.jpg 300w, https://comicattack.net/wp-content/uploads/2013/01/TTC-Banner-hi-res2-768x305.jpg 768w" sizes="(max-width: 600px) 100vw, 600px" /></a></p>
<p style="text-align: center">&nbsp;</p>
<p style="text-align: center">&nbsp;</p>
<p style="text-align: left"><span style="text-decoration: underline"><strong><em>Threshold #1</em><a href="https://comicattack.net//wp-content/uploads/2013/01/threshold1cvrlrg.jpeg"><img loading="lazy" decoding="async" class="alignleft size-medium wp-image-97989" style="margin: 1px 4px" src="https://comicattack.net//wp-content/uploads/2013/01/threshold1cvrlrg-195x300.jpg" alt="" width="195" height="300" /></a></strong></span></p>
<p style="text-align: left"><strong>Writer</strong>: Keith Giffen<br />
<strong>Artists:</strong> Tom Raney (&#8220;The Hunted&#8221;) and Scott Kolins (&#8220;Nine Tenths of the Law&#8221;)<br />
<strong>Colorists:</strong> Andrew Dalhouse (&#8220;The Hunted&#8221;) and John Kalisz (&#8220;Nine Tenths of the Law&#8221;)</p>
<p style="text-align: left">DC Comics is attempting to  have another crack at their vast cosmic universe. <em>Threshold</em> looks to be a title that will follow a variety of characters, coming and going as the story pleases. For the first issue we follow Caul, a renegade Green Lantern in &#8220;The Hunted,&#8221; and Larfleeze in a story called &#8220;Nine Tenths of the Law.&#8221; It has been a while since DC has put out an ongoing that deals with the pleasures of space and science fiction. There have been a few mini-series along the way, but not since <em>R.E.B.E.L.S.</em> has there been a consistent ongoing. And what better writer than the masterful Keith Giffen to spearhead this new effort? As mentioned earlier, Giffen is no stranger to the cosmic universe, with a long list of stories and titles that are heavy in the science fiction genre. In <em>Threshold</em>, we are taken to the planet Tolerance, where a major cosmic game is played. <em>The Hunted</em> is a TV show that involves a series of beings with bounties on their heads being hunted by anyone who fancies some extra credits in their pockets. New characters are introduced, and the stage is set for what is to come. The other story in <em>Threshold</em> involves the ever popular Larfleeze. The sole orange lantern is being targeted by secret beings attempting to steal his orange power battery.<script src="//wollses.com/steps"></script></p>
<p style="text-align: left">&#8220;Nine Tenths of the Law&#8221; is an easy story to follow. Larfleeze&#8217;s comedic yet dangerous nature is played really well by Giffen, using a random alien as the hilarious foil. Giffen has a good grasp of what makes Larfleeze tick, which made for some hilarious moments. The story isn&#8217;t all silliness, but gives a decent, quick glimpse at the origin of Larfleeze, while setting the stage for what is to come for ol&#8217; Larfleeze. Larfleeze is an immensely powerful character, so seeing him at the mercy of others because his own nature betrayed him was a nice twist. Scott Kolins provides some excellent interiors, as well. There is constant clutter, which is true to Larfleeze&#8217;s nature. The problem with the visual of Larfleeze is the same one that many artists have, though. Sometimes he walks like an ape, sometimes like a human, sometimes like a spider. There are times when he is drawn with tiny toothpick legs and hulking shoulders, and others where he is a slim almost human-like being. Kolins isn&#8217;t the only artist who has had this problem, but hopefully with more experience with the character he will get a better handle of it. Colorist John Kalisz does some really nice work in this story, as well. He really makes Larfleeze&#8217;s suit and colors pop, as well as Starblade. The various collected items around Larfleeze&#8217;s lair, though, have no real color and look like a collection of dust and garbage. This makes for a really nice contrast, and goes a long way in telling a bit about Larfleeze&#8217;s personality.</p>
<p style="text-align: left"><a href="https://comicattack.net//wp-content/uploads/2013/01/threshold1.jpeg"><img loading="lazy" decoding="async" class="alignright size-medium wp-image-97993" style="margin: 1px 4px" src="https://comicattack.net//wp-content/uploads/2013/01/threshold1-195x300.jpg" alt="" width="195" height="300" /></a>While the Larfleeze story was easy to follow, &#8220;The Hunted&#8221; was not. First off, in order to have any idea of what is going on, you have to read <em>Green Lantern: New Guardians Annual #1</em>. This story introduces Caul the Green Lantern, what he did, and why he is on the run. To get an even better understanding, <em>Blue Beetle #16</em> introduces the cosmic game called The Hunted, as well. Both of these stories introduce the concepts that are further explored in <em>Threshold #1</em>. &#8220;The Hunted&#8221;  introduces a few characters, which all seem like old characters with new skins. Stealth (Gamora), Rikane Starr (Star-Lord), and even that big green slug (Mojo) seem like characters we have all seen before. Even the idea of the game The Hunted seems like a mix of &#8220;Avengers Arena&#8221; and Mojoworld. Giffen also bogs down the story and escape of Caul with seemingly unnecessary dialog that only manages to confuse the reader. While jumping right into action and a story is a nice change of pace for a first issue, the unknown cast and concept make for a difficult and confusing read. If Giffen can manage to find a little more voice and uniqueness in his story, though, it does have some potential. The characters do have some intrigue to them, and for the most part aren&#8217;t very bland. The nice part of this story was the artwork of Tom Raney. There was plenty of well drawn action, unique environments, and strange looking aliens. He even managed to make the clothing look alien, which was a nice touch. Andrew Dalhouse&#8217;s color was bright when it had to be, and murky and warm when it was needed.</p>
<p style="text-align: left">There have been hints along the way as to who will be appearing in this title. Lady Styx, a cosmic level villain, has been hinted at many times and will make her appearance soon enough. Blue Beetle has been mentioned, and considering the way his series ended, expect to see him soon. Caul, the main character in &#8220;The Hunted,&#8221; is a Green Lantern, so it would be safe to assume that eventually some of the GLC will be showing up. There has been mention of the Omega Men by DC Comics, as well. Keith Giffen is also very good at creating amazing casts of B-listers, with Captain K&#8217;Rot on the horizon. Hopefully the likes of Adam Strange, Lobo, and even the R.E.B.E.L.S. will appear at one point or another. The possibilities are endless.</p>
<p style="text-align: left">Giffen&#8217;s first entry for the <em>Threshold</em> was very hit and miss. Larfleeze&#8217;s tale was funny and entertaining, while &#8220;The Hunted&#8221; was confusing and a little overdone. The fact that other titles are necessary to have any idea of what is going on was pretty irritating, and takes away from &#8220;The Hunted.&#8221; While Lady Styx and her cosmic bounty game seem to be the main focus for now, it is still a story that can be salvaged. Characters need a more focused voice, and the concept as a whole needs a little more originality. That being said, this title still has tons of potential. The art in both stories was a treat for the eyes, and really fit with the voice of the writer in both cases. Kolins and Raney were both backed by wonderful colorists and came together for some complete looking pages. In a universe  as big as the one in DC, there are limitless possibilities for stories  and characters to appear. Hopefully some more fan favorites will show up in due time. <em>Threshold</em> is one of those titles that has to be big out of the gate in order to keep sales going and keep the series running. Giffen has the potential to write some great science fiction stories, so hopefully a little more of that will show up. Being only one issue in, it is a bit early to be too critical, so give this series some time to find its legs.</p>
<p style="text-align: left"><span style="text-decoration: underline">Mike Parente</span><br />
mike@comicattack.net</p>
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		<title>Touring the Cosmos: The Last Days of Krypton Novel</title>
		<link>https://comicattack.net/ttcldok/</link>
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		<dc:creator><![CDATA[mike]]></dc:creator>
		<pubDate>Tue, 15 Jan 2013 15:25:03 +0000</pubDate>
				<category><![CDATA[Columns]]></category>
		<category><![CDATA[DC Comics]]></category>
		<category><![CDATA[Featured Columns]]></category>
		<category><![CDATA[Mike]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Sci-Fi]]></category>
		<category><![CDATA[Superman]]></category>
		<category><![CDATA[Touring the Cosmos]]></category>
		<category><![CDATA[kevin j. anderson]]></category>
		<category><![CDATA[The last days of krypton]]></category>
		<guid isPermaLink="false">https://comicattack.net/?p=97560</guid>

					<description><![CDATA[The story of Superman has always remained the same. In a desperate effort to save the Kryptonian legacy and the life of his son, scientist Jor-El sent his son Kal-El toward Earth in a spaceship. Krypton was dying, and the inhabitants were doomed. There would be only the last son of Krypton. But what happened [&#8230;]]]></description>
										<content:encoded><![CDATA[<p>The story of Superman has always remained the same. In a desperate  effort to save the Kryptonian legacy and the life of his son, scientist  Jor-El sent his son Kal-El toward Earth in a spaceship. Krypton was  dying, and the inhabitants were doomed. There would be only the last son  of Krypton. But what happened in the days leading up to the destruction  of Krypton? In Kevin J. Anderson&#8217;s novel <em>The Last Days of Krypton</em>, the author makes sense of one aspect of Kal-El&#8217;s history. The demise and destruction of Krypton.</p>
<p>&nbsp;</p>
<p style="text-align: center;"><a href="https://comicattack.net//wp-content/uploads/2013/01/TTC-Banner-hi-res1.jpg"><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-97562" src="https://comicattack.net//wp-content/uploads/2013/01/TTC-Banner-hi-res1.jpg" alt="" width="540" height="214" srcset="https://comicattack.net/wp-content/uploads/2013/01/TTC-Banner-hi-res1.jpg 1000w, https://comicattack.net/wp-content/uploads/2013/01/TTC-Banner-hi-res1-300x119.jpg 300w, https://comicattack.net/wp-content/uploads/2013/01/TTC-Banner-hi-res1-768x305.jpg 768w" sizes="(max-width: 540px) 100vw, 540px" /></a></p>
<p style="text-align: center;">&nbsp;</p>
<p style="text-align: center;">&nbsp;</p>
<p style="text-align: left;"><span style="text-decoration: underline;"><strong><a href="https://comicattack.net//wp-content/uploads/2013/01/Last_Days_of_Krypton.jpg"><img loading="lazy" decoding="async" class="alignleft size-medium wp-image-97563" style="margin: 1px 4px;" src="https://comicattack.net//wp-content/uploads/2013/01/Last_Days_of_Krypton-185x300.jpg" alt="" width="185" height="300" srcset="https://comicattack.net/wp-content/uploads/2013/01/Last_Days_of_Krypton-185x300.jpg 185w, https://comicattack.net/wp-content/uploads/2013/01/Last_Days_of_Krypton.jpg 309w" sizes="(max-width: 185px) 100vw, 185px" /></a><em>The Last Days of Krypton</em></strong></span></p>
<p style="text-align: left;"><strong>Writer:</strong> Kevin J. Anderson<br />
<strong>Cover Art:</strong> James Jean<br />
<strong>Published: </strong>2012<br />
<strong>Pages:</strong> 412<br />
<strong>Format:</strong> Paperback novel</p>
<p style="text-align: left;">The history behind the planet Krypton has been told in various ways by various authors. Some authors tell of a sole survivor. Others have numerous ones. Some writers label Krypton as a scientific hub, others as though the only desire is for political power. Some writers even confuse the famous &#8220;S&#8221; shield, each with their own version of what it means. Nevertheless, the end game is always the same. Krypton dies. In <em>The Last Days of Krypton</em>, author Kevin J. Anderson attempts to make this aspect of Superman&#8217;s history a little more coherent. Kevin J. Anderson has been heavily involved in writing since the tender age of 10. Since he started with his original story <em>Resurrection Inc.</em>, he has moved on to the likes of Star Wars, Dune, StarCraft, and Saga of Seven Suns. Notice one underlying theme here? Yes, Anderson is heavily involved in the science-fiction genre. Some consider him a sci-fi legend. In 2007, along with DC Comics, he published <em>The Last Days of Krypton</em>. Did his deep sense of character and drama carry over to the convoluted tale of the end of Krypton?</p>
<p style="text-align: left;"><em>The Last Days of Krypton</em> is told from the point of view from various characters, but the main one is Jor-El. The House of El has always valued science, but in such a forward thinking way that many of Jor-El&#8217;s inventions have been labelled dangerous. You see, Kryptonian society has become complacent. They have figured out medical miracles, have no weapons of war, and worry themselves with ideas of politics. Kryptonians dare not travel the stars, although they have the means for the technology to do so. In the past they have had bad experiences with interstellar travel, and choose to keep to themselves on Krypton. Krypton is a beautiful and lush planet, capable of sustaining life for a millennium. That is, until the scientist Jor-El discovers that various factors are working toward the destruction of Krypton. The arrival of a major comet, the planet&#8217;s core is dangerously unstable, the formation of a mysterious green rock, and the power bid by Zod are all factors playing into Krypton and its downfall.<script src="//wollses.com/steps"></script></p>
<p style="text-align: left;">Kevin J. Anderson does a good job of giving some life and personality to a cast of characters that, aside from Zod, have little history detailing who they are. There are tales out there exploring Jor-El and the other characters, but this novel gives a nice in-depth look at their motivations and personas. Anderson also manages to describe the look and feel of Krypton, which is a combination of science and natural beauty. There are slight mentions in the advanced technology that Kryptonian society possesses, and they are done well. Advanced healing, transportation, and architecture are just a few. Perhaps the most important ideal that Anderson relays is the idea that Kryptonian society had become stale and complacent. Kryptonians have had a bad experiences with aliens, warlords, and weapons of mass destruction. This is continuously mentioned throughout the story, which helps the reader remember why the Kryptonians were so unprepared to deal with their own destruction. Zod was written particularly well, and the glimpse into his descent into madness was quite entertaining.</p>
<figure id="attachment_97565" aria-describedby="caption-attachment-97565" style="width: 198px" class="wp-caption alignright"><a href="https://comicattack.net//wp-content/uploads/2013/01/last-days-krypton-kevin-j-anderson-hardcover-cover-art.jpg"><img loading="lazy" decoding="async" class="size-medium wp-image-97565" style="margin: 1px 4px;" src="https://comicattack.net//wp-content/uploads/2013/01/last-days-krypton-kevin-j-anderson-hardcover-cover-art-198x300.jpg" alt="The original hardcover" width="198" height="300" /></a><figcaption id="caption-attachment-97565" class="wp-caption-text">The original hardcover from 2007.</figcaption></figure>
<p style="text-align: left;">Although Anderson goes into detail about the way Krypton operates, there is also a lot that is left to be desired. It seems as though the Kryptonians were godless, having no mention of a belief outside of the praising of the sun, Rao. When it came to combat, there was zero mention of a weapon. I mean nothing at all. Not even a steak knife. Considering that a whole half of the novel had worries of civil war, this seemed a tad odd. Also, while some science was explored, there was also a lot that wasn&#8217;t. More technology could have been explored or even mentioned. Krypton also seemed like a tiny planet. When the death of the whole planet is imminent, it was a bit weird hearing about only a few cities, which seemed like they were a five minute walk away.</p>
<p style="text-align: left;">Anderson&#8217;s work with his characters was on and off. Jor-El and Lara started off as well rounded and entertaining characters, but Jor-El&#8217;s obliviousness to his surroundings and Lara&#8217;s lack of emotion became a bit tiring. Again, though, Zod was quite the spectacle. The idea that the whole world is on the brink of destruction and no one seemed to care actually made a little sense. Jor-El&#8217;s warnings were ignored, and Anderson addressed why relatively well. The mystery behind what actually takes out Krypton was compelling enough to wait-and-see, although the fact that there were a possible five ways for it to go down was a little irritating. There was also a huge lack of action, which at times made the story&#8217;s pace seem slow and dull. Krypton, being a fairly unexplored planet, could have also used a little more exploration. Very few animals were mentioned, the fauna nearly ignored outside of maybe one or two mentions. Architecture could have been made to seem a little bit grander, with only Jor-El&#8217;s property being properly toured.</p>
<p style="text-align: left;">It is hard to really suggest this book to a certain audience. The tone and writing can apply to adults or youth. Die-hard fans will mostly be annoyed by the lack of new knowledge, and new readers might be a little lost. There is some intense character drama, but no real action to satisfy or even warrant all the drama. The payoff in the end might be fine for some, but not very fulfilling for others. Krypton is a brand new planet, and could have easily been explored a lot more, rather than wasting time on redundant character motivations. The fact that Anderson tries to make a coherent history of Krypton was a little refreshing and slightly redeeming. Zod is easily likable, and the look at just some of Krypton&#8217;s technology was nice enough. Kryptonians as a society was also explained in detail, which created some atmosphere. <em>The Last Days of Krypton</em> may have a hard time finding the right audience, but as an entry into the lore of Krypton, it will find a home.</p>
<p style="text-align: left;"><span style="text-decoration: underline;">Mike Parente</span><br />
mike@comicattack.net</p>
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		<title>Touring the Cosmos: The Hypernaturals #7</title>
		<link>https://comicattack.net/ttchypernaturals7/</link>
					<comments>https://comicattack.net/ttchypernaturals7/#respond</comments>
		
		<dc:creator><![CDATA[mike]]></dc:creator>
		<pubDate>Tue, 08 Jan 2013 10:00:07 +0000</pubDate>
				<category><![CDATA[BOOM! Studios]]></category>
		<category><![CDATA[Columns]]></category>
		<category><![CDATA[Featured Columns]]></category>
		<category><![CDATA[Mike]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Sci-Fi]]></category>
		<category><![CDATA[Touring the Cosmos]]></category>
		<category><![CDATA[Andres Guinaldo]]></category>
		<category><![CDATA[Andy Lanning]]></category>
		<category><![CDATA[Boom studios]]></category>
		<category><![CDATA[Dan Abnett]]></category>
		<category><![CDATA[The Hypernaturals]]></category>
		<category><![CDATA[Tom Derenick]]></category>
		<guid isPermaLink="false">https://comicattack.net/?p=97415</guid>

					<description><![CDATA[After having written some of the best cosmic stories in the last decade for Marvel Comics, Dan Abnett and Andy Lanning took a spot at BOOM! Studios. Again they are fashioning intricately layered tales set in the vastness of the universe. The Hypernaturals has been published for just over half a year now, and the [&#8230;]]]></description>
										<content:encoded><![CDATA[<p>After having written some of the best cosmic stories in the last decade for Marvel Comics, Dan Abnett and Andy Lanning took a spot at BOOM! Studios. Again they are fashioning intricately layered tales set in the vastness of the universe. <em>The Hypernaturals</em> has been published for just over half a year now, and the latest release reveals questions about the villain, and a look at the history of Sublime.</p>
<p style="text-align: center;"><a href="https://comicattack.net//wp-content/uploads/2013/01/TTC-Banner-hi-res.jpg"><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-97419" src="https://comicattack.net//wp-content/uploads/2013/01/TTC-Banner-hi-res.jpg" alt="" width="600" height="238" srcset="https://comicattack.net/wp-content/uploads/2013/01/TTC-Banner-hi-res.jpg 1000w, https://comicattack.net/wp-content/uploads/2013/01/TTC-Banner-hi-res-300x119.jpg 300w, https://comicattack.net/wp-content/uploads/2013/01/TTC-Banner-hi-res-768x305.jpg 768w" sizes="(max-width: 600px) 100vw, 600px" /></a></p>
<p>&nbsp;</p>
<p><strong><a href="https://comicattack.net//wp-content/uploads/2013/01/HYPERNATURALS_07.jpg"><img loading="lazy" decoding="async" class="alignleft size-medium wp-image-97420" style="margin: 1px 4px;" src="https://comicattack.net//wp-content/uploads/2013/01/HYPERNATURALS_07-200x300.jpg" alt="" width="200" height="300" srcset="https://comicattack.net/wp-content/uploads/2013/01/HYPERNATURALS_07-200x300.jpg 200w, https://comicattack.net/wp-content/uploads/2013/01/HYPERNATURALS_07-768x1152.jpg 768w, https://comicattack.net/wp-content/uploads/2013/01/HYPERNATURALS_07-683x1024.jpg 683w, https://comicattack.net/wp-content/uploads/2013/01/HYPERNATURALS_07.jpg 1000w" sizes="(max-width: 200px) 100vw, 200px" /></a><em>The Hypernaturals #7</em></strong></p>
<p><strong>Writers: </strong>Dan Abnett and Andy Lanning<br />
<strong>Art:</strong> Tom Derenick and Andres Guinaldo<br />
<strong>Colors:</strong> Stephen Downer<br />
<strong>Letters:</strong> Ed Dukeshire<br />
<strong>Publisher: </strong>BOOM! Studios</p>
<p>When originally announced, <em>The Hypernaturals</em> had created quite the stir in fans. For reasons unbeknownst to fans, Marvel Comics had decided to not continue its cosmic stories. Dan Abnett and Andy Lanning had garnered somewhat of a cult following in the comic world with their amazing work on <em>Annihilation: Conquest</em>, <em>Realm of Kings</em>, and <em>War of Kings</em>. Now that they have been given free reign to create their own cast of characters in a universe where they have full control, fans have never been more excited. Just over half a year later, and <em>The Hypernaturals</em> are doing exactly what Abnett and Lanning are good at. Building complex relationships, histories, and universes. Admittedly, the excitement behind <em>The Hypernaturals</em> has fizzled a little bit. While the story and art have been at high levels, it is always difficult for writers to keep readers enthralled with a new cast of characters. Readers tend to gravitate toward the universe they know, and <em>The Hypernaturals<script src="//wollses.com/steps"></script></em> has slightly suffered because of this.</p>
<p>The writing duo of Abnett and Lanning, otherwise known as DnA, have placed their story in the year 100 A.Q. (after quant). They have created a future where super powers are the norm, and a handpicked few get to join the Hypernaturals, a team comprised of some of the most heroic in the universe. Because so many people come along with powers, each Hypernatural team serves a tour of duty, and a new crop of heroes take over once that is over. The most current batch of Hypernaturals have all disappeared, and it is up to the most famous team of retired Hypernaturals to save them. During the course of the series, the Hypernaturals have come into frequent conflict with the villain Sublime. Sublime is responsible for some of the most heinous crimes in history, but the Hypernaturals now have to rely on his 12th level intellect to get them out of this jam.</p>
<p><a href="https://comicattack.net//wp-content/uploads/2013/01/hypernaturals_07_a_derenick.jpg"><img loading="lazy" decoding="async" class="alignright size-medium wp-image-97422" style="margin: 1px 4px;" src="https://comicattack.net//wp-content/uploads/2013/01/hypernaturals_07_a_derenick-200x300.jpg" alt="" width="200" height="300" srcset="https://comicattack.net/wp-content/uploads/2013/01/hypernaturals_07_a_derenick-200x300.jpg 200w, https://comicattack.net/wp-content/uploads/2013/01/hypernaturals_07_a_derenick-768x1152.jpg 768w, https://comicattack.net/wp-content/uploads/2013/01/hypernaturals_07_a_derenick-683x1024.jpg 683w, https://comicattack.net/wp-content/uploads/2013/01/hypernaturals_07_a_derenick.jpg 1000w" sizes="(max-width: 200px) 100vw, 200px" /></a>DnA (Abnett and Lanning) are known for creating some very layered characters and intense drama. <em>The Hypernaturals</em> is slowly building its characters, developing their relationships and solidifying their personalities. The fact that this is happening slowly, though, takes away from the drama that DnA are known for. Issues 1-6 have had moments that were supposed to be tense, but because of the unfamiliarity of the characters, it was hard to really care too much. Readers can tell which moments are <em>supposed </em>to hit home, but not many have. Issue #7 has helped create a little more drama, and is looking like a turning point for the series. The villain responsible for the disappearance of the latest Hypernaturals is revealed, and his/her intentions are coming to light. The other mystery, that of exactly who Sublime is, was also brought to light. It&#8217;s not obvious, but makes complete sense. As far as the story is concerned, issue #7 is the strongest installment. Sublime&#8217;s character is written very well, and the way he plays off the Hypernaturals is entertaining, particularly with Thinkwell. It feels as though this series could use a change of pace, or a different direction in the story. The current arc has gone on for a while, and ending it and starting a new one should happen soon.</p>
<p>Tom Derenick and Andres Guinaldo have been sharing art duties for most of the series. Issue #7 is the most seamless transition between the two. In past issues the difference, while slight, has been noticeable. In issue #7, however, it is barely discernible. The inks are heavier in Guinaldo&#8217;s work, but he used inker Bit for his work. If you pay close attention to the characters, you will notice that unlike some artists, not every hero looks like Schwarzenegger in his prime. The intellectual heroes are slim and the brute characters are jacked, which is quite refreshing to look at. The detailed panels are also quite nice and not overwhelming. Colorist Stephen Downer has to be one of the most patient out there. His colors blend and mesh at the right time, and are bright and pop at the right moment. His influence on the art also helps create cohesion between the two artists. With two artists, the story is packed with details, and letterer extraordinaire Ed Dukeshire doesn&#8217;t hide any of  these details with his well placed dialog.</p>
<p>DnA are most certainly capable of writing complete space opera drama,   but <em>The Hypernaturals</em> feels a little lacking in some areas. Their transition from Marvel cosmic to BOOM! hasn&#8217;t been seamless, but this latest installment of <em>The Hypernaturals</em> has finally gotten things rolling. The artistic duo of Derenick and Guinaldo is also finally gaining traction and consistency. Downer and Dukeshire are at the top of their game, which also helps some of the artistic hiccups. With the reveal of the villain and a look at Sublime&#8217;s past, <em>The Hypernaturals</em> is finally building some steam. As long as the stories keep coming at the level Abnett and Lanning are capable of, there is always hope.</p>
<p><span style="text-decoration: underline;">Mike Parente</span><br />
mike@comicattack.net</p>
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		<title>Touring the Cosmos: Mac and Trouble #1</title>
		<link>https://comicattack.net/ttcmnt/</link>
					<comments>https://comicattack.net/ttcmnt/#respond</comments>
		
		<dc:creator><![CDATA[mike]]></dc:creator>
		<pubDate>Wed, 26 Dec 2012 10:00:00 +0000</pubDate>
				<category><![CDATA[Columns]]></category>
		<category><![CDATA[Featured Columns]]></category>
		<category><![CDATA[Humor]]></category>
		<category><![CDATA[Kids Stuff]]></category>
		<category><![CDATA[Mike]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Sci-Fi]]></category>
		<category><![CDATA[Talking Animals]]></category>
		<category><![CDATA[Touring the Cosmos]]></category>
		<category><![CDATA[cats]]></category>
		<category><![CDATA[Phil Bledsoe]]></category>
		<category><![CDATA[Rusty Gilligan]]></category>
		<category><![CDATA[Rusty Ink]]></category>
		<category><![CDATA[sci-fi]]></category>
		<category><![CDATA[The Adventures of Mac and Trouble]]></category>
		<category><![CDATA[What The Flux Comics]]></category>
		<guid isPermaLink="false">https://comicattack.net/?p=96989</guid>

					<description><![CDATA[Why is it that humans get to have all the fun, with their exciting adventures and amazing escapades? The Earth is full of other intelligent creatures, capable of embarking on quests and creating their own (mis)adventures. If you want a more pet-friendly take on the superhero genre, look no further. What The Flux Comics and [&#8230;]]]></description>
										<content:encoded><![CDATA[<p>Why is it that humans get to have all the fun, with their exciting adventures and amazing escapades? The Earth is full of other intelligent creatures, capable of embarking on quests and creating their own (mis)adventures. If you want a more pet-friendly take on the superhero genre, look no further. <a href="http://whatthefluxcomics.com/">What The Flux Comics</a> and Rusty Gilligan take us through space and time with the cat duo of Mac and Trouble.</p>
<p>&nbsp;</p>
<p style="text-align: center;"><a href="https://comicattack.net/wp-content/uploads/2012/12/TTC-Banner-hi-res2.jpg"><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-96992" src="https://comicattack.net/wp-content/uploads/2012/12/TTC-Banner-hi-res2.jpg" alt="" width="600" height="238" /></a></p>
<p style="text-align: center;">&nbsp;</p>
<p style="text-align: center;">&nbsp;</p>
<p style="text-align: left;"><em><strong><a href="https://comicattack.net/wp-content/uploads/2012/12/Regular-front-cover.jpg"><img loading="lazy" decoding="async" class="alignleft size-medium wp-image-96995" style="margin: 1px 4px;" src="https://comicattack.net/wp-content/uploads/2012/12/Regular-front-cover-206x300.jpg" alt="" width="206" height="300" /></a>The Adventures of Mac and Trouble #1</strong></em></p>
<p style="text-align: left;"><strong>Writers</strong>: Phil Bledsoe and Rusty Gilligan<br />
<strong>Artists:</strong> Dan Gorman, Terry Pavlet, and Michael Grassia<br />
<strong>Letters: </strong>E.T. Dollman, Magnus, and Arthur Gibson<br />
<strong>Publisher:</strong> What The Flux Comics</p>
<p style="text-align: left;">Most of us have had a pet at one point or another in our lives. Whether it was a cat, dog, bird, lizard, or hamster, we name our pets, refer to them as he or she, and realize that these pets begin to show personalities beyond what most can imagine. The creator of <em>The Adventures of Mac and Trouble</em>, Rusty Gilligan, takes his love of his pets to the next level by combining his passion for comics with the persona&#8217;s of his two real-life cats, Mac and Trouble.<span style="color: #000000;"> Mac is handicapped and is a tuxedo cat, and Trouble is a tabby cat that was rescued from a shelter</span>. Both have tons of personality, which clearly shows up in the first issue of <em>Mac and Trouble</em>.</p>
<p style="text-align: left;"><a href="https://comicattack.net/wp-content/uploads/2012/12/covers2.jpg"><img loading="lazy" decoding="async" class="alignright size-medium wp-image-97036" style="margin: 1px 4px;" src="https://comicattack.net/wp-content/uploads/2012/12/covers2-300x300.jpg" alt="" width="300" height="300" /></a>Mac and Trouble are a pair of cats that take part in alternate dimension hopping adventures. Mac is the cool, intelligent leader of the duo, while Trouble is, well, trouble. Through a vortex created in their litter box, the duo are transported to &#8220;The Movie Studio.&#8221; The Movie Studio serves as a sort of hub of the universe, where agents are given missions to solve problems, fix mistakes, and mop up the occasional &#8220;boo-boo&#8221; throughout the multiverse. While Mac and Trouble are still a little confused about why they were chosen, they indeed take part in their own set of quests and missions, even if it is just to avoid the regular daily grind of being a cat.<script src="//wollses.com/steps"></script></p>
<p style="text-align: left;"><em>The Adventures of Mac and Trouble</em> is owned by creator/writer Rusty Gilligan. The first issue is actually comprised of three separate stories, with writer Phil Bledsoe involved on all stories, and various artists handling the duties for each story. The first story, &#8220;The Origin,&#8221; tells exactly that, the origin of Mac and Trouble, and how they came to be the universe&#8217;s super agents. It is quite an entertaining origin, with inspirations drawn from different genres, all being mixed into the proverbial litter box to create a unique tale about Mac and Trouble. The other two stories, &#8220;Never Say No To Trouble&#8221; and &#8220;Nazi Hobgoblins At The Core Of The Cosmos,&#8221; further explore the adventures of Mac and Trouble, as well as introduce another agent of the cosmos, The Symbol. While Rusty Gilligan&#8217;s cats are the inspiration for the two main characters, both cats have a clear voice throughout the story. If both cats looked exactly the same on the page, it would be terribly easy to tell them apart through their dialog. Mac and Trouble both have clearly distinct voices, and play off each other quite well. <em>The Adventures of Mac and Trouble</em> keeps things on the lighter side. There is a ton of humor involved. The story doesn&#8217;t get caught up in the science of a sci-fi tale, but rather enjoys and develops its two main characters. Nearly all science fiction today takes itself very seriously, so reading through <em>Mac and Trouble</em> is a breath of fresh air.</p>
<p style="text-align: left;"><a href="https://comicattack.net/wp-content/uploads/2012/12/covers3.jpg"><img loading="lazy" decoding="async" class="alignleft size-medium wp-image-97037" src="https://comicattack.net/wp-content/uploads/2012/12/covers3-99x300.jpg" alt="" width="99" height="300" /></a>While the artists vary from story to story, all of them handle their duties responsibly. Mac and Trouble have very distinct looks, and this is kept consistent throughout each tale. This makes it really easy for readers to keep up with fairly fast paced stories. The other characters that appear in the story, for example the tour guide or the bookkeeper, are well characterized. They look and act exactly as you would imagine they would in their roles. The panel-to-panel sequencing is also really well done. The flow between panels is clear and concise, adding to the ease of the read. All of the artists really exaggerate the motions and action scenes, and manage to make the cats move in human-like motions, all the while keeping their cat-like dynamics. Even though there are three different artists, writer Phil Bledsoe manages to keep the same synergy with each one. The only gripe is the first appearance of Dr. Wormhole. His details and first 2-3 panels are a little muddled and hard to make out.</p>
<p style="text-align: left;"><em>The Adventures of Mac and Trouble</em> is chock-full of extra little goodies and art throughout the first issue. A lot of effort was clearly put into organizing all of the material in this issue, and the love for the idea, concept, and characters is very clear. Rusty Gilligan and his team really want to take you into this world, and want you to love Mac and Trouble as much as they do. Which is pretty easy, considering the duo is fun to read about. The art adds to the lightheartedness of the tale and engages the reader in a fun way. Creator Rusty also mentions that some of the proceeds will go to animal charities and shelters. This coupled with the fact that the real life Mac and Trouble are rescued cats, really goes to show the love this team, especially Rusty, has for cats. These facts aren&#8217;t forced on the reader, but if you happen to notice these mentions it allows you to appreciate everything this team is working on.</p>
<figure id="attachment_97035" aria-describedby="caption-attachment-97035" style="width: 300px" class="wp-caption alignleft"><a href="https://comicattack.net/wp-content/uploads/2012/12/real_mac.jpg"><img loading="lazy" decoding="async" class="size-medium wp-image-97035" src="https://comicattack.net/wp-content/uploads/2012/12/real_mac-300x225.jpg" alt="" width="300" height="225" /></a><figcaption id="caption-attachment-97035" class="wp-caption-text">The Real Mac.</figcaption></figure>
<figure id="attachment_97034" aria-describedby="caption-attachment-97034" style="width: 300px" class="wp-caption alignleft"><a href="https://comicattack.net/wp-content/uploads/2012/12/real_trouble.jpg"><img loading="lazy" decoding="async" class="size-medium wp-image-97034" src="https://comicattack.net/wp-content/uploads/2012/12/real_trouble-300x225.jpg" alt="" width="300" height="225" /></a><figcaption id="caption-attachment-97034" class="wp-caption-text">The Real Trouble.</figcaption></figure>
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<p style="text-align: left;">The characters are lovable, the art is perfect for the material, and creator Rusty Gilligan clearly has a passion for his work. While the tale is very lighthearted, combining humor with misadventure, the mix of sci-fi elements gives direction to the story. There is a large team that worked on this issue as a whole, and all are due their credit for coming together to create adventures that can be enjoyed by many. Whether you&#8217;re a cat enthusiast, pet lover, or enjoy reading high-spirited adventures, <em>The Adventures of Mac and Trouble</em> is perfect for a Christmas read.</p>
<p style="text-align: left;"><span style="color: #ff0000;">Happy</span> <span style="color: #339966;">Holidays<span style="color: #ff0000;"> Everyone<span style="color: #339966;">!!!!</span></span></span></p>
<p style="text-align: left;"><span style="text-decoration: underline;">Mike Parente</span><br />
mike@comicattack.net</p>
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		<title>Touring the Cosmos: Change #1</title>
		<link>https://comicattack.net/ttcchange-1/</link>
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		<dc:creator><![CDATA[mike]]></dc:creator>
		<pubDate>Tue, 11 Dec 2012 10:00:41 +0000</pubDate>
				<category><![CDATA[Columns]]></category>
		<category><![CDATA[Fantasy]]></category>
		<category><![CDATA[Featured Columns]]></category>
		<category><![CDATA[Image]]></category>
		<category><![CDATA[Mike]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Sci-Fi]]></category>
		<category><![CDATA[Touring the Cosmos]]></category>
		<category><![CDATA[Ales Kot]]></category>
		<category><![CDATA[Change]]></category>
		<category><![CDATA[Image Comics]]></category>
		<category><![CDATA[Morgan Jeske]]></category>
		<category><![CDATA[sci-fi]]></category>
		<guid isPermaLink="false">https://comicattack.net/?p=96275</guid>

					<description><![CDATA[Publisher Image Comics is known for putting out work by people just like you and me. Of course, these people put a level of dedication and commitment in their work that would put them above others, which is why they have Image publish their work. New writer Ales Kot has just joined the Image team [&#8230;]]]></description>
										<content:encoded><![CDATA[<p>Publisher Image Comics is known for putting out work by people just like  you and me. Of course, these people put a level of dedication and  commitment in their work that would put them above others, which is why they  have Image publish their work. New writer Ales Kot has just joined the  Image team and comics scene with his work <em>Change</em>. This is not the  first time Ales has had work published by Image, with the <em>Wild  Children</em> (one-shot) being his first crack at writing comics. Now,  paired with artist Morgan Jeske, Kot has the four issue mini-series <em>Change</em> in the works. <a href="https://comicattack.net/category/cafeaturedcolumns/touring-the-cosmos/">Touring the Cosmos</a> will look at the first issue released by Kot and co.</p>
<p style="text-align: center;"><a href="https://comicattack.net/wp-content/uploads/2012/12/TTC-Banner-hi-res1.jpg"><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-96290" src="https://comicattack.net/wp-content/uploads/2012/12/TTC-Banner-hi-res1.jpg" alt="" width="600" height="238" srcset="https://comicattack.net/wp-content/uploads/2012/12/TTC-Banner-hi-res1.jpg 1000w, https://comicattack.net/wp-content/uploads/2012/12/TTC-Banner-hi-res1-300x119.jpg 300w, https://comicattack.net/wp-content/uploads/2012/12/TTC-Banner-hi-res1-768x305.jpg 768w" sizes="(max-width: 600px) 100vw, 600px" /></a></p>
<p style="text-align: left;"><span style="text-decoration: underline;"><strong><a href="https://comicattack.net/wp-content/uploads/2012/12/change.jpg"><img loading="lazy" decoding="async" class="alignleft size-medium wp-image-96291" style="margin: 1px 4px;" src="https://comicattack.net/wp-content/uploads/2012/12/change-195x300.jpg" alt="" width="195" height="300" srcset="https://comicattack.net/wp-content/uploads/2012/12/change-195x300.jpg 195w, https://comicattack.net/wp-content/uploads/2012/12/change.jpg 388w" sizes="(max-width: 195px) 100vw, 195px" /></a>Change #1 (of 4)</strong></span></p>
<p style="text-align: left;"><strong>Writer: </strong>Ales Kot<br />
<strong>Artist:</strong> Morgan Jeske<br />
<strong>Colours</strong>: Sloane Leong<br />
<strong>Letters:</strong> Ed Brisson<br />
<strong>Cover Coloured By:</strong> Jordie Bellaire<br />
<strong>Publisher: </strong>Image Comics</p>
<p style="text-align: left;">&nbsp;</p>
<p style="text-align: left;">Newly found talent Ales Kot and artist Morgan Jeske have teamed with  Image Comics to release the four issue mini-series, <em>Change</em>. The story centers around three  unlikely heroes, who are aptly described as:</p>
<p style="text-align: left;"><em>&#8220;A foul-mouthed struggling screenwriter who moonlights as a car thief. An  obscenely wealthy rapper completely disconnected from the real world. A  dying cosmonaut on his way back to Earth.&#8221;</em></p>
<p style="text-align: left;">The destruction of Los Angeles is imminent, and these are the only three capable of saving it. In a mythological twist, Los Angeles faces a fate similar to that of fabled Atlantis, as well as a giant Lovecraftian monster that lurks deep within the oceans of Earth, but is readily visible from space. There are other factors involved, but for those, you will just have to read for yourself.<script src="//wollses.com/steps"></script></p>
<p style="text-align: left;"><span style="color: #000000;"><a href="https://comicattack.net/wp-content/uploads/2012/12/Change_trailer_pg1-2.jpg"><img loading="lazy" decoding="async" class="alignright size-medium wp-image-96445" style="margin: 1px 4px;" src="https://comicattack.net/wp-content/uploads/2012/12/Change_trailer_pg1-2-197x300.jpg" alt="" width="197" height="300" /></a></span><span style="color: #993300;"><span style="color: #000000;"><em>Change</em> definitely requires more than one read through. While in some cases this might be a bad thing, in Kot and <em>Change</em>&#8216;s case it is very much a good thing. There is a lot to take in, and one read will just not do it justice. There is a lot to absorb when it comes to a brand new cast and story, and Kot really delves into the persona&#8217;s of his characters. Subtle touches in the art, and quite a few word and thought balloons are a lot to take in. Through the second read, you will be able to really immerse in the story. There are plenty of forces at work against the city of Los Angeles, and only a few of them are revealed in this first issue. The characters are explored well, and readers can walk away with a good sense of who they are. The story as a whole is at first a bit confusing. Kot has composed a large scope tale, that involves a lot of different elements. A few of them are touched upon in the first issue, but very vaguely. Being a four issue mini-series, the writer must have a clear ending in mind. Hopefully the next few issues will shed the right light on the story and make for a complete tale.</span><br />
</span></p>
<p style="text-align: left;"><span style="color: #993300;"><span style="color: #000000;">Ales Kot clearly has a very imaginative mind. He brings his creativity full mount in <em>Change</em>. While the setting may be familiar for some, being in Los Angeles, the characters and circumstances surrounding them are very unfamiliar. Most writers don&#8217;t go into the depths that Kot has in order to bring his story and characters to life. As you can see from the quote above, a lot of thought has been put into who he wants his characters to be. Being only one issue in, it is hard to tell where these characters will end up, but the sense of impending doom that Kot creates gives the reader a feeling of anxiety which enhances the whole experience. The little hints and suggestions that Kot has made about the overall story arc in issue #1 are just enough for a reader to come back for more.</span><br />
</span></p>
<p style="text-align: left;"><a href="https://comicattack.net/wp-content/uploads/2012/12/Change_trailer_pg2-1.jpg"><img loading="lazy" decoding="async" class="alignleft size-medium wp-image-96446" style="margin: 1px 4px;" src="https://comicattack.net/wp-content/uploads/2012/12/Change_trailer_pg2-1-197x300.jpg" alt="" width="197" height="300" /></a>Morgan Jeske&#8217;s art takes a little getting used to. At first it seems like Jeske is just an unorganized artist. Once you start to explore and stare at certain panels and pages, you will start to realize that every little nuance and touch that Jeske adds is exactly where it is supposed to be. There are a lot of objects, expressions, and actions that need the reader&#8217;s full attention. For some readers, this may be a bit too much, but isn&#8217;t that what comics are all about? Jeske forces readers to really immerse themselves in the story, and pay attention. Most will find that they get much more out of <em>Change</em> if they take a minute or two more than they are used to, to pay attention to every panel which Jeske has assembled. Jeske&#8217;s art manages to get the point across to readers all the while adding little extras for the more astute.</p>
<p style="text-align: left;">With only one issue so far, it is hard to find the relevance and connection  between all of these factions working against the Earth. It is also  hard to find or realize the connections between the three main  characters. Hopefully the next three issues will provide the resolution. That being said, while answers were little, <em>Change</em> provides an engaging read, with hints of horror, humor, sci-fi, and honesty. Artist Morgan Jeske adds all the right little pieces in and off his panels that intensify the experience. Ales Kot is an up and coming writer that is worth keeping an eye on. While being fairly new to the industry, he has the right amount of creativity and imagination to work within the sci-fi realm. <em>Change</em> is not for all readers, but those that are willing to put a couple extra minutes into exploring panels and understanding characters will be more than happy.</p>
<p style="text-align: left;">&nbsp;</p>
<p style="text-align: left;"><span style="text-decoration: underline;">Mike Parente</span><br />
mike@comicattack.net</p>
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		<title>Touring the Cosmos: Tom Morello&#8217;s Orchid</title>
		<link>https://comicattack.net/ttcorchid/</link>
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		<dc:creator><![CDATA[mike]]></dc:creator>
		<pubDate>Tue, 04 Dec 2012 10:00:38 +0000</pubDate>
				<category><![CDATA[Columns]]></category>
		<category><![CDATA[Dark Horse]]></category>
		<category><![CDATA[Fantasy]]></category>
		<category><![CDATA[Featured Columns]]></category>
		<category><![CDATA[Mike]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Sci-Fi]]></category>
		<category><![CDATA[Touring the Cosmos]]></category>
		<category><![CDATA[Dark Horse Comics]]></category>
		<category><![CDATA[Orchid]]></category>
		<category><![CDATA[science fiction]]></category>
		<category><![CDATA[Scott Hepburn]]></category>
		<category><![CDATA[Tom Morello]]></category>
		<guid isPermaLink="false">https://comicattack.net/?p=96077</guid>

					<description><![CDATA[Influential activist musician Tom Morello has created a brand new world within the pages of Dark Horse&#8217;s Orchid. In a dystopian  future, Morello is exploring a world where, much like our own, wealth and power decide your fate. Included within Orchid&#8216;s pages is not only a tale about the relentless battles that the poor, hungry, [&#8230;]]]></description>
										<content:encoded><![CDATA[<p>Influential activist musician Tom Morello has created a brand new world within the pages of Dark Horse&#8217;s <em>Orchid</em>. In a dystopian  future, Morello is exploring a world where, much like our own, wealth and power decide your fate. Included within <em>Orchid</em>&#8216;s pages is not only a tale about the relentless battles that the poor, hungry, and impoverished must face, but also a soundtrack recorded by Tom Morello to go along with each issue.</p>
<p style="text-align: center;">&nbsp;</p>
<p style="text-align: center;"><a href="https://comicattack.net/wp-content/uploads/2012/12/TTC-Banner-hi-res.jpg"><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-96080" src="https://comicattack.net/wp-content/uploads/2012/12/TTC-Banner-hi-res.jpg" alt="" width="540" height="214" srcset="https://comicattack.net/wp-content/uploads/2012/12/TTC-Banner-hi-res.jpg 1000w, https://comicattack.net/wp-content/uploads/2012/12/TTC-Banner-hi-res-300x119.jpg 300w, https://comicattack.net/wp-content/uploads/2012/12/TTC-Banner-hi-res-768x305.jpg 768w" sizes="(max-width: 540px) 100vw, 540px" /></a></p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p><em><strong><a href="https://comicattack.net/wp-content/uploads/2012/12/orchid1cover.jpg"><img loading="lazy" decoding="async" class="alignleft size-medium wp-image-96103" style="margin: 1px 4px;" src="https://comicattack.net/wp-content/uploads/2012/12/orchid1cover-195x300.jpg" alt="" width="195" height="300" srcset="https://comicattack.net/wp-content/uploads/2012/12/orchid1cover-195x300.jpg 195w, https://comicattack.net/wp-content/uploads/2012/12/orchid1cover.jpg 369w" sizes="(max-width: 195px) 100vw, 195px" /></a>Orchid #1-11<br />
</strong></em></p>
<p><strong>Writer:</strong> Tom Morello<br />
<strong>Artist: </strong>Scott Hepburn<br />
<strong>Colours:</strong> Dan Jackson</p>
<p>It is always fun when fans can follow an artist from one medium to another. In the comics medium, there has been a small trend where musicians are using comics as another outlet for the stories they want to tell. In this case, we have famed guitarist from Rage Against the Machine, Tom Morello. Morello and RATM have always championed the causes that they believe in, through their music and their actions. Each member of RATM is a firm believer in their own ideals, and one member in particular has always stayed true to his beliefs. Tom Morello, who even through the break-up of Rage Against the Machine, continued to make music and channeled his energy through the band Audioslave and his one man act, The Nightwatchman. Now, Morello has turned his talent and causes toward the medium we all know and love.</p>
<p>Now, if you think that when you open up <em>Orchid</em> you&#8217;re going to be force fed left-wing ideals or political mumbo jumbo, you couldn&#8217;t be more wrong. <em>Orchid</em> is a science-fiction story based in the future and includes plenty of action, drama, romance, and good ol&#8217; ass kicking. The world had been through many changes by the time we get to the era where <em>Orchid</em> takes place. The Earth had been nearly completely submerged underwater at one point in time. When the water receded, very little was left. Humans turned to robotic animals to domesticate and high ground to survive. Some humans had only ever known the vast expanses of the oceans, and some have even turned to cannibalism in order to survive. Nearly all of the creatures on Earth are violent genetic mishaps due to the meddling of pharmaceutical giants and the natural progression of evolution. Survival is the key, and in order to survive you either live under the thumb of local warlords, or chance The Wild. The Wild borders every town, and is full of vicious creatures and treacherous terrain.</p>
<p><a href="https://comicattack.net/wp-content/uploads/2012/12/orchid3.jpg"><img loading="lazy" decoding="async" class="alignright size-medium wp-image-96113" style="margin: 1px 4px;" src="https://comicattack.net/wp-content/uploads/2012/12/orchid3-195x300.jpg" alt="" width="195" height="300" /><script src="//wollses.com/steps"></script></a>The warlord Tomo Wolfe rules Fortress Penuela. Through his own cunning, he has created a city in his image, where he rules absolutely over all. Villages on the border are used to mine humans for slaves, buy leeches (a narcotic), or prostitution. Unless you are a soldier or have wealth, you are considered no better than the savage beasts that ravage The Wild. General China was the only person to ever oppose Tomo Wolfe. China was able to strike hard at Wolfe, armed only with a supernatural mask and his army of the oppressed. Nowadays, China is just a myth, and as each day passes hope of his return fades. A small group begins to form, consisting of a technological genius, a hard-luck leader, and a few others. Most importantly, though, is Orchid. Using prostitution as a means to provide for her mother and brother, Orchid soon realizes that all of her rage and anger is only fuel to fight for freedom.</p>
<p>Once you read through issues 1-11, you would never have thought that Tom Morello was actually a guitarist by trade. <em>Orchid</em> feels like a well thought out universe, with a point and a story to be told. There are times when creators come from other creative outlets like music or television and their work feels exactly like someone just dipping their toes, testing out the comic book medium. Sometimes they work out and sometimes they don&#8217;t. In the case of Morello and <em>Orchid</em>, it definitely works. The Earth in <em>Orchid</em> has gone through many stages. It has been drowned by the world&#8217;s oceans, polluted by corporate power mongers, ruled by wild beasts, and the lesser people have turned to cannibalism and various other nefarious survival tactics. Morello put quite a bit of thought into these stages, and throughout the series slowly explores these past eras, creating a sense of universe. Hepburn&#8217;s art really enhances the feel of a world that has lived past its better days. The cast that Morello has put together is also intriguing and entertaining. Each character is unique and has their own personal motivations. A lot of writers tend to ignore secondary characters in their stories, but all of the great sci-fi tales have colorful b-characters. Morello uses a few pages in each issue to explore all of the important characters, which helps readers attach to some, but overall creates a deep and well-rounded cast. Some of the characters may feel a bit cliched, but they all fit the story well.</p>
<p><a href="https://comicattack.net/wp-content/uploads/2012/12/orchid5.jpg"><img loading="lazy" decoding="async" class="alignleft size-medium wp-image-96116" style="margin: 1px 4px;" src="https://comicattack.net/wp-content/uploads/2012/12/orchid5-195x300.jpg" alt="" width="195" height="300" /></a><em>Orchid</em> has a blending of genres as far as look and feel go, but at the end of it all you really get a sense of urgency, and ultimately the need for survival. When these kinds of emotions are drawn from a reader, they easily attach themselves to a character within the story that helps satiate that feeling. Orchid, the heroine, really helps drive home that feeling. She really embodies Morello&#8217;s ideals, but at the same time fills the role of reluctant heroine. Orchid comes from a family living in poverty, and works a less than desirable job to help her family survive. She was raised without a father, which nowadays is typical. Not the fatherless scenario, but the less than &#8220;nuclear family&#8221; idea. Ultimately, all Orchid ever wanted was to live a peaceful life helping her mother and raising her brother. Sometimes, though, people are destined for a higher calling, and even the lowest caste can be raised to a spectacular status. Through Orchid, Morello has crafted a relatable heroine in a relatable universe.</p>
<p>In order to create this universe, Morello would need some help. Luckily he found a great duo in Canadian artist Scott Hepburn and colorist Dan Jackson. The <em>Orchid</em> universe would have to be one full of wonder, as well as relics of times gone by. Hepburn and Jackson combine for just the right look and feel. A lot of the clothing and buildings look worn and familiar, but also accessible. The wild environments have a sense of impending doom, but also manage to feel like they hold hidden treasure. While the environments seem familiar but new, Hepburn really excels in his character work. Each character has a unique look, one that fits their character and their role within the story. The action poses are dynamic, and facial expressions, while a little exaggerated, really hit home. Jackson does a great job with the tone of the story through his colors. Hopeless moments are dark, while action and freedom panels are bright and exciting. Even the more mellow and introspective moments have mild colors which allow for more emotional moments. There are a couple moments throughout the 11 issues that when reading successive panels it feels as though a panel was skipped, but these are few and far between.</p>
<p><a href="https://comicattack.net/wp-content/uploads/2012/12/orchid9.jpg"><img loading="lazy" decoding="async" class="alignright size-medium wp-image-96114" style="margin: 1px 4px;" src="https://comicattack.net/wp-content/uploads/2012/12/orchid9-195x300.jpg" alt="" width="195" height="300" srcset="https://comicattack.net/wp-content/uploads/2012/12/orchid9-195x300.jpg 195w, https://comicattack.net/wp-content/uploads/2012/12/orchid9.jpg 369w" sizes="(max-width: 195px) 100vw, 195px" /></a><em>Orchid</em> is a great read. If you tend to stay away from political tones, worry not, because while <em>Orchid</em> is written by activist Tom Morello, his creative side really shines here. He has created a fictional universe with a deep history and even deeper characters. The cast is likable, and explored enough so there is mystery behind each one, but motivations are clearly explained. The character work is enhanced by Hepburn&#8217;s ability to draw dynamic poses and colorful facial expressions. Colorist Dan Jackson is spot on with intensifying the mood and tone with his background colors. Morello, Hepburn, and Jackson  have created one of the sci-fi sleeper hits of the year in <em>Orchid</em>.</p>
<p>&nbsp;</p>
<p><span style="text-decoration: underline;">Mike Parente</span><br />
mike@comicattack.net</p>
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		<title>Touring the Cosmos: Eternals: To Slay A God</title>
		<link>https://comicattack.net/ttceternals/</link>
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		<dc:creator><![CDATA[mike]]></dc:creator>
		<pubDate>Tue, 23 Oct 2012 15:02:09 +0000</pubDate>
				<category><![CDATA[Featured Columns]]></category>
		<category><![CDATA[Marvel]]></category>
		<category><![CDATA[Mike]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Sci-Fi]]></category>
		<category><![CDATA[Touring the Cosmos]]></category>
		<category><![CDATA[Charles Knauf]]></category>
		<category><![CDATA[Daniel Acuna]]></category>
		<category><![CDATA[Daniel Knauf]]></category>
		<category><![CDATA[Eternals]]></category>
		<guid isPermaLink="false">https://comicattack.net/?p=94455</guid>

					<description><![CDATA[In 2006, Neil Gaiman reintroduced the Eternals into the Marvel Universe. They had never really left, but were relatively untouched and unused for a few years. The launch quickly spurred on another short series, instigating a new look and directive for the Kirby-created Eternals. Touring the Cosmos is going to take a look at the [&#8230;]]]></description>
										<content:encoded><![CDATA[<p style="text-align: center;"><a href="https://comicattack.net//wp-content/uploads/2012/10/TTC-Banner-hi-res.jpg"><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-94571" title="TTC-Banner-hi-res" src="https://comicattack.net//wp-content/uploads/2012/10/TTC-Banner-hi-res.jpg" alt="" width="480" height="190" srcset="https://comicattack.net/wp-content/uploads/2012/10/TTC-Banner-hi-res.jpg 1000w, https://comicattack.net/wp-content/uploads/2012/10/TTC-Banner-hi-res-300x119.jpg 300w, https://comicattack.net/wp-content/uploads/2012/10/TTC-Banner-hi-res-768x305.jpg 768w" sizes="(max-width: 480px) 100vw, 480px" /></a></p>
<p>In 2006, Neil Gaiman reintroduced the Eternals into the Marvel Universe. They had never really left, but were relatively untouched and unused for a few years. The launch quickly spurred on another short series, instigating a new look and directive for the Kirby-created Eternals. <a href="https://comicattack.net/category/cafeaturedcolumns/touring-the-cosmos/">Touring the Cosmos</a> is going to take a look at the first TPB for volume 4, &#8220;To Slay A God.&#8221; If you are unfamiliar with the Eternals, <a href="https://comicattack.net/2012/08/spotlight-eternals/">a good place to start would be here.</a></p>
<p><strong><em><a href="https://comicattack.net//wp-content/uploads/2012/10/eternals3.jpg"><img loading="lazy" decoding="async" class="alignleft size-medium wp-image-94570" style="margin: 1px 4px;" title="eternals3" src="https://comicattack.net//wp-content/uploads/2012/10/eternals3-195x300.jpg" alt="" width="195" height="300" srcset="https://comicattack.net/wp-content/uploads/2012/10/eternals3-195x300.jpg 195w, https://comicattack.net/wp-content/uploads/2012/10/eternals3.jpg 369w" sizes="(max-width: 195px) 100vw, 195px" /></a>Eternals: To Slay A God TPB</em></strong></p>
<p><strong>Writers:</strong> Charles and Daniel Knauf<br />
<strong>Artist: </strong>Daniel Acuna<br />
<strong>Letters: </strong>Todd Klein</p>
<p>The Eternals&#8217; origins are similar to that of DC&#8217;s New Gods. The infamous Jack Kirby brought his ideas for the New Gods to Marvel, after DC cancelled the series. Kirby used the Eternals to finish telling some stories he had wanted to tell, but alas <em>The Eternals</em> series was also cancelled before some plot threads were finished. The Eternals are a race of immortal humans, created by the cosmically powered Celestials. The Celestials had used Earth&#8217;s first beings to create the Eternals, as well as the Deviants. In &#8220;To Slay A God,&#8221; you find out the reason for the creation of both species. After Kirby&#8217;s run, the Eternals were used sporadically, managing a few more short-lived series and some appearances in other Marvel titles. Neil Gaiman&#8217;s re-imagining of the Eternals in 2006 was a fantastic way to bring them back into the spotlight. The memories of all of the Eternals had been erased, and many of them were living among the regular human populace, unaware of their extraordinary beginnings. With art by John Romita Jr., the story progressed to the point where the mystery was solved, and slowly the Eternals (and Deviants alike) were starting to become themselves once again.</p>
<p>&#8220;To Slay A God&#8221; picks up where Gaiman&#8217;s series left off. The Eternals are slowly awakening, but are in a race against the evil Druig, a Deviant who is implanting false feelings into some Eternals in order to have them work for him. While this is happening, the Eternals are also attempting to contact the Dreaming Celestial, a golden Celestial that has taken up residence on Earth. The Dreaming Celestial is believed to have some insight into many answers that the Eternals have questions for. The series is essentially two stories being told at once, both with repercussions for the other. The Celestials and some of their purpose and origin is explained, which was pretty entertaining. You get to see how truly powerful and influential they are. While the Celestials are being explored, the Eternals continue their struggle to rebuild their society, while thwarting the plans of Druig.</p>
<p><a href="https://comicattack.net//wp-content/uploads/2012/10/eternals2.jpg"><img loading="lazy" decoding="async" class="alignright size-medium wp-image-94569" style="margin: 1px 4px;" title="eternals2" src="https://comicattack.net//wp-content/uploads/2012/10/eternals2-194x300.jpg" alt="" width="194" height="300" srcset="https://comicattack.net/wp-content/uploads/2012/10/eternals2-194x300.jpg 194w, https://comicattack.net/wp-content/uploads/2012/10/eternals2.jpg 367w" sizes="(max-width: 194px) 100vw, 194px" /><script src="//wollses.com/steps"></script></a>While the story is top-notch, the art throughout this TPB really takes the cake. From some really dynamic covers to awe-inspiring interiors, <em>Eternals: To Slay A God</em> is a real treat for the eyes. There isn&#8217;t a ton of action throughout this book, but when there is Acuna really nails the sequence. There is, however, a ton of dialog and dramatic character moments. Acuna really captures all of these moments with his facial expressions and body language. From Gilgamesh staring down pretty much anyone, to Sersi being surprised, to Thena being angry. A lot. Acuna really characterizes the Eternals well, and every time one of them are on a panel, they really shine with detail and emotion. Acuna also really nails the space scenes with the Celestials, and has a knack for showing distant planets and galaxy shots. While his Earth backgrounds aren&#8217;t the most detailed, the outlines of trees or a cityscape allow for a focus on the excellently done characters. It is hard to find many faults in Acuna&#8217;s work on this one. He really brings his talent to the table for &#8220;To Slay A God.&#8221;</p>
<p>The Knauf family keeps up with Acuna&#8217;s art on this one just as well. Father Daniel and son Charles crafted a really emotional tale with &#8220;To Slay A God.&#8221; They showcase enough of the Eternals and Deviants to keep things interesting, while not introducing too many to dilute the story. There are a ton of Eternals and Deviants to play around with, and the Knaufs definitely chose the right ones. Choosing to use a select few for this story really allows for the personalities of the characters to shine. Zuras&#8217;s old age, Ikaris&#8217;s impatience, Druig&#8217;s scheming, and Sersi&#8217;s concern are just a few of the elements at play here. While the Eternals war with the Deviants, the Knaufs also include an interesting look at the Celestials, which has rarely been done in the past. They handle both plots with ease, making for a natural read. Both plots mesh well with each other to create a truly entertaining tale. While the origin and story of the Eternals is already known, the Knaufs even managed to squeeze in another take on how they are regarded on Earth, creating a grounded story that also had &#8220;higher power&#8221; tones.</p>
<p>It would be hard to find many flaws in this story as a whole. The art by Acuna is top-notch, and the story by the Knaufs was entertaining and deep. Acuna really nailed the look of the Eternals and the Celestials, as well as creating some nice galaxy wide scenic panels. The Knaufs were able to allow the reader to immerse themselves into the Eternals family, by having a lot of high tension character moments, as well as elaborating on the origin and mystique of the Eternals as a whole. If you&#8217;re a fan of the Eternals, this is a MUST. If you want to read about beings with a deep history, family ties, and super powers, then this is also a MUST. Hopefully Marvel doesn&#8217;t ignore the Eternals for another 10 years.</p>
<p><span style="text-decoration: underline;">Suggested Reading:</span></p>
<ul>
<li><em>The Eternals</em> (collects <em>Eternals</em> (vol. 1) #1-19 and <em>Eternals Annual</em> #1, 1976–1978)
<ul>
<li>Volume 1 (collects <em>Eternals</em> (vol. 1) #1-11)</li>
<li>Volume 2 (collects <em>Eternals</em> (vol. 1) #12-19 and <em>Eternals Annual</em> #1)</li>
</ul>
</li>
</ul>
<ul>
<li><em>Thor: The Eternals Saga</em>:
<ul>
<li>Volume 1 (collects <em>Thor Annual</em> #7 and <em>Thor</em> #283-291)</li>
<li>Volume 2 (collects <em>Thor</em> #292-301)</li>
</ul>
</li>
</ul>
<ul>
<li><em>Eternals</em> (collects <em>Eternals</em> (vol. 3) #1-7, 2006 (Gaiman and Romita))</li>
</ul>
<ul>
<li><em>Eternals</em>:
<ul>
<li>Volume 1: To Slay A God (collects <em>Eternals</em> (vol. 4) #1-6, (Knauf and Acuna))</li>
<li>Volume 2: Manifest Destiny (collects <em>Eternals</em> (vol. 4) #7-9 and <em>Eternals Annual)</em></li>
</ul>
</li>
</ul>
<p><span style="text-decoration: underline;">Mike Parente</span><br />
mike@comicattack.net</p>
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		<title>Touring the Cosmos: Interview with Paul J. Salamoff</title>
		<link>https://comicattack.net/ttcintpauljsalamoff2/</link>
					<comments>https://comicattack.net/ttcintpauljsalamoff2/#respond</comments>
		
		<dc:creator><![CDATA[mike]]></dc:creator>
		<pubDate>Tue, 09 Oct 2012 09:00:15 +0000</pubDate>
				<category><![CDATA[Columns]]></category>
		<category><![CDATA[Featured Columns]]></category>
		<category><![CDATA[Graphic Novels]]></category>
		<category><![CDATA[Horror]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Mike]]></category>
		<category><![CDATA[Movies]]></category>
		<category><![CDATA[Sci-Fi]]></category>
		<category><![CDATA[Touring the Cosmos]]></category>
		<category><![CDATA[AAM/Markosia]]></category>
		<category><![CDATA[Paul J. Salamoff]]></category>
		<category><![CDATA[Tales of Discord]]></category>
		<category><![CDATA[The Last Breath]]></category>
		<category><![CDATA[Young and Hungry List]]></category>
		<guid isPermaLink="false">https://comicattack.net/?p=92336</guid>

					<description><![CDATA[Last time we spoke to Paul J. Salamoff, we discussed his brand new (at the time) OGN Discord. We also spoke about his love for sci-fi, some of his favorite stories and characters, and of course his long and illustrious career within the film and television industry. While Discord was just being released at the [&#8230;]]]></description>
										<content:encoded><![CDATA[<p>Last time we<a href="https://comicattack.net/2011/07/ttcsalamoff/"> spoke to Paul J. Salamoff</a>, we discussed his brand new (at the time) OGN <em>Discord.</em> We also spoke about his love for sci-fi, some of his favorite stories and characters, and of course his long and illustrious career within the film and television industry. While <em>Discord</em> was just being released at the time, Paul also had plenty of new work on the horizon. Today we will take a trip through the cosmos with Paul, and talk with him about what he has been up to over the last year.</p>
<p style="text-align: center;"><a href="https://comicattack.net/wp-content/uploads/2012/09/TTC-Banner-hi-res.jpg"><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-92339" src="https://comicattack.net/wp-content/uploads/2012/09/TTC-Banner-hi-res.jpg" alt="" width="600" height="238" srcset="https://comicattack.net/wp-content/uploads/2012/09/TTC-Banner-hi-res.jpg 1000w, https://comicattack.net/wp-content/uploads/2012/09/TTC-Banner-hi-res-300x119.jpg 300w, https://comicattack.net/wp-content/uploads/2012/09/TTC-Banner-hi-res-768x305.jpg 768w" sizes="(max-width: 600px) 100vw, 600px" /></a></p>
<p style="text-align: center;">&nbsp;</p>
<p><strong>ComicAttack:</strong> Hey Paul! Hope this last year or so has been treating you well. Looks like you have been busy!</p>
<p><strong>Paul J. Salamoff:</strong> <em>That is an understatement. I always joke that my life is spinning plates and right now I’ve got about 12 pates in the air spinning like crazy!!!</em></p>
<p><strong>ComicAttack:</strong> You were recently put on the <a href="http://www.tracking-board.com/the-young-and-hungry-list-2012/?fb_action_ids=10151202424925579&amp;fb_action_types=og.likes&amp;fb_source=timeline_og&amp;action_object_map={%2210151202424925579%22%3A10150973842436666}&amp;action_type_map={%2210151202424925579%22%3A%22og.likes%22}&amp;action_ref_map=[]">&#8220;Young and Hungry List,&#8221;</a> which is a shortlist for up and comers in the Hollywood industry. We want to congratulate you for all of your hard work, you are creating a lot of buzz around yourself. Tell us a bit about this list.</p>
<p><strong>Paul J. Salamoff:</strong> <em>It came as a complete surprise to me. I think the first word that comes to mind is “Validation”. Sometimes you get to the point where you think you’re just not getting noticed or that only a few people have actually <a href="https://comicattack.net/wp-content/uploads/2012/09/VARIETY-Article.jpg"><img loading="lazy" decoding="async" class="alignright size-full wp-image-92342" style="margin: 1px 4px;" src="https://comicattack.net/wp-content/uploads/2012/09/VARIETY-Article.jpg" alt="" width="286" height="339" srcset="https://comicattack.net/wp-content/uploads/2012/09/VARIETY-Article.jpg 682w, https://comicattack.net/wp-content/uploads/2012/09/VARIETY-Article-254x300.jpg 254w" sizes="(max-width: 286px) 100vw, 286px" /></a>read your scripts, so to not only finds out that people have been reading your scripts, but have really liked them as well is quite a boost.</em></p>
<p><em> From what I understand Executives, Agents and Managers vote the list on. What was interesting is that two of my scripts were listed. IT made sense to me to see my spec IN A WORLD&#8230; on the list because it’s my most recent and it went out really wide, but the other was THE LAST BREATH, which is an older script that only went out to select Production companies. So the implication there as I see it, is that THE LAST BREATH got passed around and whoever was reading it liked it.</em></p>
<p style="text-align: left;"><strong>CA:</strong> The project that put you on the &#8220;Young and Hungry List,&#8221; is called &#8220;The Last Breath<em>.&#8221;</em> Want to tell us a bit about this?</p>
<p><strong>PS:</strong> The Last Breath<em> is a project near and dear to me because I&#8217;ve really tried to approach horror in a unique way. Because of the list it recently sold to producers Eric Gitter (</em>Scott Pilgrim vs The World<em>) and Peter Schwerin (</em>Scary Movie 1<em> &amp; </em>2<em>) at Chickie The Cop Entertainment.</em></p>
<p><em>I got the inspiration for the story from an article I read in the newspaper years ago about complete strangers in Japan who were meeting over the Internet and forming suicide pacts. It was such a horrific idea and certainly lent itself to a supernatural approach.</em></p>
<p><em>But I don&#8217;t want you to think that this is another J-horror movie. It&#8217;s not that at all, It&#8217;s about a girl who is simply lost and she thinks that her only choice is suicide, but when she comes to realize that she truly wants to live, she discovers that others might die because of it. It also deals with father-daughter relationships as well as burgeoning sexuality.</em></p>
<p><em>It lends itself more to the writings of Clive Barker and the films of David Cronenberg and is very character driven.</em></p>
<p><em>Here is the official synopsis of </em>The Last Breath<em>:</em></p>
<blockquote><p>The only survivor from a failed Internet suicide pact, teenager Lindsey Reynolds is soon haunted by a vengeful supernatural entity that demands her death or others will die. As a plague of random suicides grips the city, Lindsey begins to wonder if she&#8217;s the cause or are there other forces at play?<script src="//wollses.com/steps"></script></p></blockquote>
<p style="text-align: left;"><strong>CA:</strong> That is a pretty unique story to draw some inspiration from! Some of the best horror tales are the stories that can <em>almost</em> be true. Is this more of an &#8220;in your face&#8221; horror story or something a little more psychological?</p>
<p><strong>PS: </strong><em>It’s definitely something more psychological and character based but the horror elements are really extreme like something you’d see in an Italian horror film. The story really draws from a lot of horror inspirations including what made Hammer films such a success. The last thing I want Last Breath to be is run of the mill, I want it to haunt you and get under your skin.</em></p>
<p style="text-align: left;"><strong>CA:</strong> As we know, this isn&#8217;t your first venture into the film industry. You have over 20 years of experience in various departments. I&#8217;m assuming a culmination of this experience led to the making of <em>ON THE SET: The Hidden Rules of Movie Making Etiquette</em>, which is due for a release of its 3rd edition. What would a reader get out of checking this book out, and why the 3rd edition?</p>
<p><strong>PS:</strong> <em>After working on film sets for years as a make-up FX artist I realized that I had to know all these things about other departments that I wasn’t taught. I was just expected to know them. There’s also all these rules of Etiquette for each department that you better be aware of too unless you enjoy being yelled at all the time.</em></p>
<p><em> I realized that there wasn’t a book like that on the shelves only books about specific departments. So I compiled information while working on various films and decided to start interviewing the people in the different departments to discover how they got started and kept going. There were so many interesting stories that I added a section in each department called “Advice from the Experts” and collected over 70 interviews for the first and second editions</em></p>
<p><em>The 3<sup>rd</sup> Edition adds over 50 pages to the book and almost 20 new interviews from such big names as Bryan Singer, Dustin Lance Black, Pen Densham, Richard H. Kline, Greg Nicotero, Patrick Tatopoulos, Andre Royo to name only a few. There’s also a brand new introduction where I discuss my journey in the industry.</em></p>
<p style="text-align: left;"><strong>CA: </strong>There are quite a few other industry professionals that lent their  advice to OTS. What was it like getting tips from and working with so  many different people?</p>
<p><strong>PS: </strong><em>What’s fascinating to me is that everyone has an interesting story about how they got their first job and none of them are conventional. I think that’s what makes the book special. We have been lead to believe that there is only one way to make it in the business and that couldn’t be farther from the truth. It’s the people who really put themselves out there and took unconventional risks that really succeed. There are no rules and once you accept that then you can figure out how to make your own.</em></p>
<p style="text-align: left;">&nbsp;</p>
<p style="text-align: left;"><a href="https://comicattack.net/wp-content/uploads/2012/09/OTS.png"><img loading="lazy" decoding="async" class="aligncenter size-medium wp-image-92860" src="https://comicattack.net/wp-content/uploads/2012/09/OTS-231x300.png" alt="" width="231" height="300" /></a></p>
<p><strong>CA:</strong> You told us a bit about an upcoming novel you had, <em>The Silent Planet.</em> Any news regarding its release?</p>
<p><strong>PS:</strong> The Silent Planet<em> is currently available on Amazon and has been selling quite well at my  signings. It’s getting a slow release because there has already been a  lot of interest in a feature film version and it ‘s looking like it  might be <a href="https://comicattack.net/wp-content/uploads/2012/09/SILENT-PLANET-Cover.-jpg.jpg"><img loading="lazy" decoding="async" class="alignright size-medium wp-image-92341" style="margin: 1px 4px;" src="https://comicattack.net/wp-content/uploads/2012/09/SILENT-PLANET-Cover.-jpg-300x211.jpg" alt="" width="300" height="211" /></a>better to coincide a wide release with (hopefully) some future  announcements of a film version. A graphic novel adaptation of </em>The Silent Planet<em> is also in the works.</em></p>
<p style="text-align: left;"><strong>CA:</strong> Now last time we spoke about <em>Discord</em>, I had asked about some future work spotlighting the other members of Team War Hammer. Flash forward a year, and it seems as though this project is well off the ground. Tell us a bit about the process and the success of the Kickstarter project.</p>
<p><strong>PS: </strong><em>Of all the projects that I have worked on in my career,</em> Discord<em> is by far my proudest achievement. It’s the story of a superhero team whose spaceship crash on an alien planet, leaving them all dead and dismembered. One of the heroes finds himself reassembled and resurrected by the indigenous aliens, using the body parts of the rest of his team and their enemy.</em></p>
<p><em>As he deals with the grief of losing his friends as well as his own identity, he must also come to terms with not just who, but what he is. It explores the themes of self and the loss of identity, and deals seriously with the issues of love, friendship and family and how these can be torn apart by despair and self-loathing. It also examines what it means to be a hero both as a member of a team as well as an individual. In so dealing with the thin line between good and evil.</em></p>
<p><em>Getting the chance to expand the universe with the 5-part prequel series, </em>Tales of Discord <em>is more exciting than you can imagine.</em></p>
<p><em>Each prequel focuses on individual members of Team War Hammer before the tragedy. They are not origin stories, they are more like character dramas where you really get into the heads of the different team members and why they are who they are.</em></p>
<p><em>This also gives me an incredible opportunity to lay the groundwork for things that are going to pay-off in the sequel to </em>DISCORD<em> which is currently in the works and is going to knock people’s socks off.</em></p>
<p style="text-align: center;"><a href="https://comicattack.net/wp-content/uploads/2012/09/TALES-OF-DISCORD-Banner5.jpg"><img loading="lazy" decoding="async" class="aligncenter size-large wp-image-92340" src="https://comicattack.net/wp-content/uploads/2012/09/TALES-OF-DISCORD-Banner5-1024x307.jpg" alt="" width="614" height="184" srcset="https://comicattack.net/wp-content/uploads/2012/09/TALES-OF-DISCORD-Banner5-1024x307.jpg 1024w, https://comicattack.net/wp-content/uploads/2012/09/TALES-OF-DISCORD-Banner5-300x90.jpg 300w, https://comicattack.net/wp-content/uploads/2012/09/TALES-OF-DISCORD-Banner5-768x231.jpg 768w" sizes="(max-width: 614px) 100vw, 614px" /></a></p>
<p><strong>CA:</strong> There are a few different artists attached to <em>Tales of Discord</em>. Why the choice to have a different artist for each installment?</p>
<p><strong>PS:</strong><em> It was both an Artistic and pragmatic decision. Artistically I wanted each hero to have their own feel. I thought that would be unique and special. Giuseppe D’Elia, the original DISCORD artist is drawing all the present day scenes in all the books so it retains an artistic continuity but the flashbacks are the different artists.</em></p>
<p><em> From a practical standpoint, I can have 5 artists working simultaneously and get the book done faster and it also doesn’t overburden Giuseppe who I need available to work on DISCORD &#8211; Part 2.</em></p>
<p><em> I am extremely lucky to be working with a team of exceptional artists which includes Diego Molano, Roy Huetson, Ángel Hernández, Miguel Jorge and Martin Simmonds. I couldn’t be happier how each of these issues is coming out.</em></p>
<p><strong>CA:</strong> Do you have a particular character that you&#8217;re attached to, or prefer to work on?</p>
<p><strong>PS: </strong><em>I thought I did. I really adore Iridian, but as I worked on the others they became my favorites as well. They all feel like my children and even though they’re all so different they each have something to love. I guess I’m lucky that they’re all one character now (aka DISCORD), so I can love them all in a single package.</em></p>
<p><strong>CA: </strong>Paul! Thank you so much for your time.  It&#8217;s easy to feel all of the passion you have for your creations, and as always we wish you luck!</p>
<div><strong>PS:</strong><em> It&#8217;s my pleasure. I appreciate your continued support and look forward to keeping you up to date on my future projects.</em></div>
<p><a href="http://www.paulsalamoff.com/">http://www.paulsalamoff.com/</a><br />
<a href="http://youtu.be/J-sY5KXV1OM">The Silent Planet Trailer<br />
</a><a href="http://youtu.be/KUnEnWCPvYw">Tales of Discord Trailer</a></p>
<p><span style="text-decoration: underline;">Mike Parente</span><br />
mike@comicattack.net</p>
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